Upholstery CSI: Reading the Evidence
On view in Rachel Elisabeth and Joshua Ryan Wilkinson Gallery , gifted by their mother, L. Kay Wilkinson
This exhibition was made possible through the generosity of Don and Elaine Bogus
When most people look at furniture, they admire the craftsmanship of the cabinetmaker. But the look and function of seating furniture often hinged on the talent of another trade – that of the upholsterer. In Upholstery CSI: Reading the Evidence visitors discover the secrets of the 18th-century upholstery trade. Beginning with a bare chair frame, the upholsterer layered webbing, linen, stuffing, and show fabric to create a fashionable piece. Unfortunately, the 200-year-old fabrics rarely survive the passage of time and changing fashions.
This exhibition received an Excellence in Exhibition Award from American Alliance of Museums in May 2019.
Being able to read the evidence left behind to reconstruct the 18th-century appearance is the task of the modern-day curators and conservators. This exhibition explores the work of Colonial Williamsburg upholstery conservator Leroy Graves and the non-intrusive upholstery method he developed that is now used by museums worldwide. The goal of the Graves Approach is to restore a piece to its earliest appearance without marking or disturbing the frames or surviving upholstery.
Side Chair, Splat-Back, America, New York, New York City, 1790-1800, mahogany, ash, white pine, hair stuffing, 39 x 20¾ x 21½in, 1964-257,2
Easy Chair, Upholstered, America, Virginia, Eastern, 1750-1775, black walnut, beech, linen, hair stuffing, corn husks, 45¾ x 30¼ 30½in, 1988-433
Armchair, Upholstered, England, ca. 1760, mahogany, oak, lined, hair stuffing, 37⅝ x 27in, 1982-152
Sofa, England, London, ca. 1760, mahogany, beech, 35⅜ x 87⅞ x 36in, 1963-191
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